Statement I: For Derrida, aesthetic discourse always involves values and interests; there is no 'pure and neutral' aesthetic realm. Statement II: Outside influence enters aesthetic judgement when philosophers and historians point out its 'truth'.
Pick an option to check yourself, or open the answer below.
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Correct answer: A. Both Statement I and Statement II are correct
Explanation
Per the key. In The Truth in Painting (1978) Derrida's parergon shows that the 'frame' supposedly outside the work — philosophical and historical discourse on its truth — always enters it.
Note: The key is debatable; option 3 has defenders.
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