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English · UNIT 04 · MOCK TEST

Literary Criticism and Theory — Mock Test 1

25 questions · about 30 minutes. Press End Mock any time to see your score and the correct answers.

0 / 25 answered 00:00
Q1.

Which of the following are chapter titles in I. A. Richards' Principles of Literary Criticism (1924)?

  1. A. 'Poetry for Poetry's Sake'
  2. B. 'Critical Principles: The Indemonstrability of Values'
  3. C. 'On Looking at a Picture'
  4. D. 'The Theory of Interpretation'
  5. E. 'The Analysis of a Poem'
Q2.

Which quotations are correctly matched with their texts?

  1. A. Poets are 'the right popular philosophers' — An Apology for Poetry
  2. B. The critic must halt at the frontier of metaphysics — 'The Metaphysical Poets'
  3. C. 'Frantic novels, sickly and stupid German tragedies' — Preface to Lyrical Ballads
  4. D. 'For poetry the idea is everything' — 'The Study of Poetry'
  5. E. A fool might once himself alone expose; now one in verse makes many more in prose — An Essay on Man
Q3.

Match List I with List II:

List I: AlamkaraList II: Meaning
A. Aprastuta-prasamsaI. Conjoint statement of the qualities or actions of things
B. VyajastutiII. Showing a like good or bad consequence by linking one thing with another
C. NidarsanaIII. Praise of an object one is not concerned with
D. SahoktiIV. Praise in the form of dispraise (censure)
Q4.

Assertion (A): Sidney's Apology for Poetry is a seminal text of literary criticism. Reason (R): It is the first English synthesis of Renaissance criticism, drawing on Aristotle, Horace, Boccaccio and Scaliger.

Q5.

Which work by Arnold preaches that 'the kingdom of God is within you'?

Q6.

Which issue does Horace NOT address in the Ars Poetica?

Q7.

Arrange the following critical works in chronological order:

  1. A. T. S. Eliot, The Use of Poetry and the Use of Criticism
  2. B. J. C. Smith, A Study of Wordsworth
  3. C. D. G. James, Scepticism and Poetry
  4. D. Marjorie L. Barstow, Wordsworth's Theory of Poetic Diction
  5. E. Josephine Miles, Pathetic Fallacy in the Nineteenth Century
Q8.

Arrange Kuntaka's levels of vakrata (obliquity) from the smallest to the largest unit:

  1. A. Episodic (prakarana)
  2. B. Compositional (prabandha)
  3. C. Phonetic (varna-vinyasa)
  4. D. Lexical (pada-purvardha)
  5. E. Grammatical (pratyaya)
Q9.

Match List I with List II:

List I: Archetypal symbolList II: Meaning
A. The seaI. Creative energy
B. RiversII. Wisdom
C. The sunIII. The mother of all life
D. The serpentIV. Death and rebirth
Q10.

Match List I with List II:

List I: EssayList II: Writer
A. 'Keats's Sylvan Historian: History without Footnotes'I. Gayatri C. Spivak
B. 'Tools for Reading Poetry'II. Cleanth Brooks
C. 'Three Women's Texts and a Critique of Imperialism'III. Herman Rapaport
D. 'The Linguistic Foundation'IV. Jonathan Culler
Q11.

Assertion (A): Post-structuralism and deconstruction are virtually synonymous. Reason (R): Deconstruction arises out of Barthes's structuralism, as a reaction against its certainties.

Q12.

Which statement on the arbitrariness of the sign in Saussure's Course is INCORRECT?

Q13.

According to Freud's The Interpretation of Dreams, which symbol is NOT correctly glossed?

Q14.

Who held that the interplay of introjection and projection builds the ego and superego and lays the ground for the Oedipus complex?

Q15.

Assertion (A): The technique of art is to make objects 'unfamiliar', to make forms difficult, and to increase the difficulty and length of perception. Reason (R): The process of perception is an aesthetic end in itself and must be prolonged.

Q16.

Who became known in the popular imagination as the notorious French postmodernist philosopher?

Q17.

Which of the following were written or edited by Toril Moi?

  1. A. French Feminist Thought: A Reader
  2. B. Feminisms: A Reader
  3. C. Feminist Literary Criticism
  4. D. Sexual/Textual Politics
  5. E. What Is a Woman?
Q18.

Which writer asked why men drank wine and women water, and why one sex was so prosperous and the other so poor?

Q19.

Match List I with List II:

List I: ConceptList II: Thinker
A. HabitusI. Pierre Bourdieu
B. AnaclisisII. Sigmund Freud
C. Fetishism (in the sexual sense)III. Alfred Binet
D. HyperrealityIV. Umberto Eco
Q20.

In which of Showalter's phases did women writers imitate the dominant male tradition?

Q21.

Match List I with List II:

List I: TermList II: Meaning
A. FeralI. The way women are positioned as objects of male scopophilic desire
B. Grand narrativeII. The interior story as told or shown, especially in film
C. GazeIII. The big stories, such as Humanism, used to map human history
D. DiegesisIV. A state halfway between domestic and wild
Q22.

Which is NOT part of Dollimore and Sinfield's definition of cultural materialism?

Q23.

According to Fiona Tolan, the one theme that runs through every feminist debate is:

Q24.

Which critic defined colonialism as 'the conquest and control of other people's land and goods'?

Q25.

Since the publication of Samuel Johnson's 'Preface to Shakespeare' (1765), which of the Unities have been regarded as optional devices, available to playwrights in England to achieve special effects of dramatic concentration?