25 questions · about 30 minutes. Press End Mock any time to see your score and the correct answers.
Which of the following are chapter titles in I. A. Richards' Principles of Literary Criticism (1924)?
Correct answer: C. C, D and E only
'The Analysis of a Poem' is chapter 16 and 'On Looking at a Picture' chapter 18. 'Poetry for Poetry's Sake' is A. C. Bradley's lecture (1901).
Which quotations are correctly matched with their texts?
Correct answer: A. A, C and D only
B is not from Eliot's 'The Metaphysical Poets', and the couplet in E comes from Pope's An Essay on Criticism, not An Essay on Man.
Match List I with List II:
Correct answer: D. A-III, B-IV, C-II, D-I
Figures of speech in Sanskrit poetics: indirect description, ironic praise, illustration, and connected statement.
Note: The source prints 'praise in the form of despair'; vyajastuti is praise in the form of dispraise.
Assertion (A): Sidney's Apology for Poetry is a seminal text of literary criticism. Reason (R): It is the first English synthesis of Renaissance criticism, drawing on Aristotle, Horace, Boccaccio and Scaliger.
Correct answer: A. Both A and R are correct and R is the correct explanation of A
Sidney (c. 1580) answers Gosson with mimesis (Aristotle), teaching and delighting (Horace), and the poet as maker (Scaliger).
Which work by Arnold preaches that 'the kingdom of God is within you'?
Correct answer: D. Literature and Dogma
Literature and Dogma (1873) reads the Bible as literature, with conduct as 'three-fourths of life'.
Which issue does Horace NOT address in the Ars Poetica?
Correct answer: A. The writer's detachment from his work, tradition and custom
Horace urges feeling ('si vis me flere, dolendum est primum ipsi tibi'), decorum, docere et delectare, and the labour of the file.
Arrange the following critical works in chronological order:
Correct answer: A. D, A, C, E, B
Barstow (1917) → Eliot (1933) → James (1937) → Miles (1942) → Smith (1944).
Arrange Kuntaka's levels of vakrata (obliquity) from the smallest to the largest unit:
Correct answer: C. C, D, E, A, B
Vakroktijivita (c. 10th–11th century): sound → word-base → suffix → sentence → episode → whole work.
Correct answer: B. A-III, B-IV, C-I, D-II
Guerin et al., A Handbook of Critical Approaches: the sea as mother of life, rivers as death, rebirth and the flowing of time, the sun as creative energy, and the serpent as energy, evil and wisdom.
Correct answer: B. A-II, B-III, C-I, D-IV
Brooks, The Well Wrought Urn (1947); Rapaport, The Literary Theory Toolkit; Spivak (1985); Culler, Structuralist Poetics (1975), ch. 1.
Note: Options 1 and 4 are garbled in the source ('A-II, B-II…', 'D-I' twice) and are rebuilt.
Assertion (A): Post-structuralism and deconstruction are virtually synonymous. Reason (R): Deconstruction arises out of Barthes's structuralism, as a reaction against its certainties.
Per the key, following Peter Barry's Beginning Theory, which treats the two as near-synonyms and traces the turn through Barthes and Derrida.
Note: Deconstruction is chiefly Derrida's; R is a simplification.
Which statement on the arbitrariness of the sign in Saussure's Course is INCORRECT?
Correct answer: C. The word 'symbol' has been used to designate the linguistic sign, or more specifically the signified.
Saussure says 'symbol' has been used for the signifier, and he rejects it because symbols, like the scales of justice, are never wholly arbitrary.
According to Freud's The Interpretation of Dreams, which symbol is NOT correctly glossed?
Correct answer: C. Towers as symbols of sexual pleasure
Long, upright and penetrating objects are male symbols, and hollows, vessels and flowers female. Towers belong with the male, phallic group.
Who held that the interplay of introjection and projection builds the ego and superego and lays the ground for the Oedipus complex?
Correct answer: D. Melanie Klein
Klein placed these processes in early infancy (object-relations theory).
Assertion (A): The technique of art is to make objects 'unfamiliar', to make forms difficult, and to increase the difficulty and length of perception. Reason (R): The process of perception is an aesthetic end in itself and must be prolonged.
Shklovsky, 'Art as Technique' (1917): defamiliarisation (ostranenie) exists because perception is an end in itself.
Who became known in the popular imagination as the notorious French postmodernist philosopher?
Correct answer: A. Jean Baudrillard
Baudrillard (Simulacra and Simulation; The Gulf War Did Not Take Place).
Which of the following were written or edited by Toril Moi?
Correct answer: A. A, D and E only
Sexual/Textual Politics (1985), French Feminist Thought (ed., 1987), What Is a Woman? (1999). Feminisms: A Reader is Maggie Humm's.
Which writer asked why men drank wine and women water, and why one sex was so prosperous and the other so poor?
Correct answer: A. Virginia Woolf
A Room of One's Own (1929), the Oxbridge lunch and the Fernham dinner.
Correct answer: C. A-I, B-II, C-III, D-IV
Bourdieu; Freud ('On Narcissism'); Binet (1887); Eco, Travels in Hyperreality (1975), alongside Baudrillard.
In which of Showalter's phases did women writers imitate the dominant male tradition?
Correct answer: D. The feminine phase
A Literature of Their Own (1977): feminine (1840–80, imitation), feminist (1880–1920, protest), female (from 1920, self-discovery).
Correct answer: C. A-IV, B-III, C-I, D-II
Ecocriticism; Lyotard; Mulvey; narratology and film theory.
Which is NOT part of Dollimore and Sinfield's definition of cultural materialism?
Correct answer: D. Transcendental significance
Political Shakespeare (1985) names historical context, theoretical method, political commitment and textual analysis. Transcendent meaning is the humanist assumption they reject.
According to Fiona Tolan, the one theme that runs through every feminist debate is:
Correct answer: B. essentialism
Whether a female essence exists or gender is constructed (Tolan, in Waugh's Literary Theory and Criticism).
Which critic defined colonialism as 'the conquest and control of other people's land and goods'?
Correct answer: D. Ania Loomba
Loomba, Colonialism/Postcolonialism (1998).
Since the publication of Samuel Johnson's 'Preface to Shakespeare' (1765), which of the Unities have been regarded as optional devices, available to playwrights in England to achieve special effects of dramatic concentration?
Correct answer: C. Unities of Place and Time
Johnson defended Shakespeare's disregard of the unities of time and place, arguing that spectators always know they are in a theatre, so a change of scene or a lapse of years is no harder to accept than the first scene. He kept the unity of action as essential to coherence. After him, time and place were treated as optional.